Cold Fire – Verónica Zondek (tr. Katherine Silver)

The tiny bones of tiny mice, of tiny birds more
fragile than owls, of lizards, confirm what is
already known: that life is always nourished by
life and therefore it endures.

So opens Verónica Zondek ‘s recently released collection of poems ‘Cold Fire’, an epigraph by Gustavo Boldrini taken from ‘Longotoma, Fragmentos de una novela imposible’ (‘Fragments of an impossible novel’), Ediciones Kultrún, 2016.

From Valdiivia in Chile, poet Verónica Zondek is also a translator and editor. She has published a critical edition of the poetry of Nobel Prize winning poet Gabriela Mistral and has translated, into Spanish, the works of Gottfried Benn, Derek Walcott, June Jordan, Anne Carson, Emily Dickinson, Anne Sexton, and Gertrude Stein. And here we have the first translation of her work into English by Katherine Silver, a collection originally published in 2016 as ‘Fuego Frio’ one that doesn’t even appear on her “selected publications” at Wikipedia.

‘Cold Fire’ consists of twenty long poems, in one Verónica Zondek refers to them as “cantos”, all musing on the wind. Burned trees, broken houses, scattered seeds:

And may the windgust
reign supreme and its dangling wings/ that push the
water/ that push the clouds/ that push the rain/ and
erode the stones/ and erode the mount. . .

The format of each canto taking on the shape or strength of the wind, sometimes sparse with blank spaces, at other times block text with pauses or line breaks indicated by a dash, occasionally only a few words on a page.

What beast?
What beast is that magnificent windgust that blows
upstream/ that climbs the heavens/ that moves clouds
to collapse over drought?

Meek burns the light through so much fog.

Meek is the cry of the forsaken bones.

Meek is the soul that watches and is flayed.

And on the horizon

A feeble/ wild light/ gallops/ gallops knowingly and
displays its reigns/ and batters/ batters without pity
or pledges.

Now it closes the stars the ancient poem intoned/
and just imagine/ imagine it arriving to soak our
drought/ to sprout it/ and sweet are the tears that
fall from on high/ that pour down/ that fatten the
grass/ an offering. What/ which

That
what beasts and men chew/ of course/ more beasts
than men………… yes………… to continue/ continue
singing/ singing/ s     ing    ing…………

Because strictly speaking/ they say/ they are only
beasts/ beasts for me enswirled by wind/ by wind
wind/ with its body so fragile/ my body/ and both
so tied to/ so spun into memory/ into thought/ into
love.

The rhythm and cadence lend itself to a reading aloud, words repeated for emphasis, pauses as important as the words themselves, a replication of the wind and the important role it plays in our lives. It would be intriguing to listen to a reading of this work in Spanish and the translation into English thoroughly grabbed my attention, an outdoor reading, in winter, in the Australian bush was an immersive experience. Pauses to listen to the wind, to watch the leaves rustle, the grass bend, the flames of the open fire flicker.

A wind/ a wind that opens the womb/ a wind
that shakes the land/ that sprouts tenderness/ that
squanders heat and swallows/ swallows the pain
of men.

But no/ it doesn’t come/ it doesn’t grope/ it seems to
be only when it kneads life/ when seedlings bloom/
and everything/ everything returns/ returns and
begins again.

Each canto explores a different impact, the dangers of fire being fed by the winds, the devastation of buildings destroyed, light blowing of grasses, you can easily imagine the poet observing and noting the surroundings.

Nature, bones, existence, erosion, impermanence all captured. “Life is always nourished by life and therefore it endures.”

Then:
love/ smile and cry/ sleep/ dream/ kiss with passion
stop/ look/ listen/ stop and let the silver fingers of the
windgust touch you/ and the golden fingers of the
cold fires/ for my letter on the page sleeps while it
waits for the slow roar of awakening/ devouring what
voracious tongues have left behind. Inhaling the tears
of the defeated/ sowing eyes far and wide/ for our duty
is to read/ and reread/ and pay heed/ even if we are
only blood/ and bone. And dream. In this long/ long
and slow bog.

It is our duty to read, and to reread and to pay heed, read slowly, absorb and experience and Verónica Zondek ‘s wonderful new book from World Poetry Books is one you should read (and reread). As Daniel Borzutzky says in the back cover blurb; “Verónica Zondek meditates on the complex intertwinings of our bodies with the social world, the natural world, and death.”

2 thoughts on “Cold Fire – Verónica Zondek (tr. Katherine Silver)

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s