Andy Guérif, Duccio di Buoninsegna and Georges Perec

Today a film, literature, and art post.

Andy Guérif, born in Angers France in 1977, has made a number of short live animation films, his latest film ‘Le Code de l’art’ looks fascinating, he has taken sixty road signs and associated them with famous works of art. However, it is his 2015 film ‘Maestà, the Passion of the Christ’ that I would like to highlight today.

In 1308 Duccio di Buoninsegna was commissioned by the city of Siena to paint an altarpiece, a monumental Madonna and Child with saints and angels, and a predella of the Childhood of Christ with prophets. On the reverse there is a combined cycle of the Life of the Virgin and the Life of Christ in a total of forty-three small scenes; several panels are now dispersed or lost. Andy Guérif’s film focuses on the twenty-six panels that make up part of the reverse, the life, crucifixion and resurrection of Christ.

A review I came across says “Guérif reinvents Duccio’s masterpiece with ‘Life a User’s Manual’ by Georges Perec in mind.” How could I not watch this film?


As visitors to this site would know I’ve investigated Perec’s 100 rooms, ten squares high, ten squares wide, and the chess like movement throughout the rooms. I don’t intend to go into the details here, but if you’re interested you can read my previous post here.

Andy Guérif’s film is nowhere near as complex as this, it opens with the crucifixion, an eleven- or twelve-minute complex sequence being shown full screen, with firstly the supporting players being crucified and then finally Christ. The screen then switches to twenty-six blank panels, painted only with the backgrounds, it moves in a sequence from the bottom left of the screen.


Each panel is slowly populated with equipment and characters, as though they are in rehearsal for a passion play, arguing amongst themselves, chatting, they slowly form a replication of the image in the altarpiece which is then frozen. Here is the sequence of the narration:


The freeze thaws and the characters, players continue along their journey. There are concurrent happenings, for example ladies set the table for the last supper whilst in the first panel Christ meets with his disciples at the Temple, a man builds the coffin in panel twenty-two.

The movie closes with all twenty-six sequences concurrently playing and forming the final replication of Duccio di Buoninsegna’s masterwork.

Maestà, the Passion of the Christ, is Guérif’s first long feature and was started in 2008 and finished in 2015, filming took place each Sunday with a group of volunteers. It is worth a viewing if you can stream it in your country. A small preview is available on YouTube to give you a taste.

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